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PDF Ebook The Evolution of Type: A Graphic Guide to 100 Landmark TypefacesBy Tony Seddon

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The Evolution of Type examines 100 landmark typefaces from the history of font design, from the type used by Johannes Gutenberg to produce his 42-Line Bible, to the latest digital typefaces. It reveals the meaning behind typographic characters and shows how the use of type has changed over time.

A full spread is devoted to each typeface and its origins. Concise text describes the design history and usage of the face, and its long-term impact on the development of typefaces. Annotated enlargements show the new features that the typeface introduced and highlight its most important design characteristics.

The book is organized in six chapters:

• 1455-1700 The start of it all: The first typefaces are designed in Germany, Italy, France and the Netherlands
• 1700-1890 The emergence of literacy: The popular desire for reading material drives invention
• 1890-1920 The first technological age: Type foundries become big business and mass production becomes reality
• 1920-1960 Type meets art: Typographic originality and creative culture embrace on an industrial scale
• 1960-1990 Type become cool: Type influences international style
• 1990-today The second technological age: Typesetting for the masses.

The Evolution of Type has practical applications in many fields of graphic design. General readers will enjoy learning about something that they encounter every day. They will gain an appreciation for the unique characteristics of a word beyond its dictionary definition.

• Sales Rank: #1041425 in Books
• Brand: Firefly Books
• Published on: 2015-08-14
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.00" w x 7.50" l, .0 pounds
• Binding: Hardcover
• 256 pages

Review
This book shows how type has evolved since the dawn of the printing press to the digital age through a collection of 100 typefaces. Seddon also examines the contributions of various typographers and type designers throughout history and breaks the book into sections that show major shifts in typography and printing. These shifts include the invention of movable type, the typesetting machine, phototypesetting, and digital typography. Two-page spreads highlight the typefaces that are relevant to each era. The two-page spread for each typeface contains a font description and the background information about the creator(s), its history, and inspiration of each typeface. This information also includes typefaces that were inspired by the highlighted font and information about the various versions that are available, especially in the instances of types that are digital revivals of historic designs. Each spread includes a few enlarged letters that show the defining characteristics that set
the typeface apart. Examples of the type set in dummy text show body and headline weights, largely depending on the appropriate use of the font in question, to give the reader a sense of how these fonts will work. Finally, Seddon helps the reader by providing a recommendation of which version to use when multiple options are available. The Evolution of Type truly is an evolution of type and is not an exhaustive history of typography. The brief history Seddon includes shows the reader how technology developed and how it has influenced the direction of type through time. This account, despite its brevity, is handled well and helps readers to connect shifts in type design with the major changes in technology. Seddon also explains the classifications of typefaces and how this has been a long point of contention between typographers, graphic designers, and historians because there is no universally accepted method for classifying type. While there are many similarities from one system to
the next, there are also some distinct differences. This is an excellent text for anyone wanting to further their knowledge of how typefaces have evolved in the last 500 years. While it is not a comprehensive history, the selection of 100 types to represent this evolution makes it a manageable text that should not be intimidating to new readers. The most useful part is the inclusion of the variations of each typeface and recommendations of which ones to use and why. It is intriguing that Seddon chose Selva as the 100th typeface, which is a modern interpretation of a blackletter, thereby bringing the text full circle, beginning with Gutenberg's invention, which began with a blackletter font whose design was based on the popular writing of the scribes of his era. (Amanda Horton Technical Communication Journal 2016-02-01)

Graphic designer and type historian Seddon presents the history of typography in 100 typefaces, moving chronologically from movable type to digital. Brief "biographies" of each typeface include descriptions of its origins and influence and annotated depictions with distinguishing features and side-by-side comparisons of subfamilies (e.g., roman versus italic) and versions. Each of the book's four main sections begins with an overview of the time period in printing and biographical sketches of a few of its notable type designers, from Aldus Manutius to Tobias Frere-Jones. For the novice, the book also includes a description of the type classifications and a "type anatomy" that illustrates the differences between a serif and a spur, a loop and a tail... For the general reader as well as the practitioner. (Lindsay Harmon Booklist 2016-02-12)

A perfect reference book! (Natosha Miller Test Try Results Blog 2016-02-16)

This amazing book provides the background of 100 famous, chronologically listed typefaces. It is beautifully illustrated, well written, and authoritative; any student of letterforms will be delighted with the details presented here. Seddon, a freelance graphic designer, provides his personal choices of which versions of these typefaces to purchase, helpful guidance that is, of course, open to debate. Fine books such as this have appeared during each generational change in typographic technology, and this one is suitable for the age of pixels. The choice of which important typefaces of the last 20 years to include will be susceptible to major revision in another 20 years, but no harm is done by taking a stab at it, which the author does skillfully in bringing the work right up to the present. Font designers (such as this reviewer) will learn a great deal... This is a very important work for anyone wishing to learn about the history of fonts, whether one is a student of graphic design
or a professional who chooses typefaces. Highly recommended. All libraries and levels. (S. Skaggs Choice 2016-05-01)

About the Author

Tony Seddon is a freelance designer, art director and writer. He has authored and co-authored five books on graphic design, art direction and typography, including Thou Shall Not Use Comic Sans: A Designer's Almanac of Dos and Don'ts. He lives in East Sussex, UK.

Excerpt. © Reprinted by permission. All rights reserved.

Foreword

Type is a fundamental part of written language in the modern world, and yet it is commonly treated as a static thing. Once cast into metal, it is fixed in time.

But type is alive!

Each typeface has an individual history. It is often born out of specific necessity, influenced by the artistic world in which its creator lives or designed to solve a particular problem. Some typefaces die soon after they fulfill this initial purpose, but others can live on far beyond their designers' intentions. They can travel through design movements, traverse formats and substrates both analog and digital, and evolve into the typographic offspring that we refer to as revivals and reinterpretations. If a typeface survives these journeys it can continue to live on as a tool in the hands of future generations, producing work its creator never imagined.

And just as music has its archetypical artists or composers who represent a given genre (be it classical, blues, folk or rock), so does type. Certain typefaces define their classification or style; they set a standard, becoming the forebears by which all their followers are judged and compared. We know many of these classics well, whether its from the pages of our design-school textbooks (Bodoni, Garamond, Caslon, Futura) or the default font menus on our computers (Gill Sans, Times, Palatino, Helvetica). But how much do we really know about them? What was the context of the design world in which they were drawn? Were they in competition with other typefaces of the time? What life did they live after they were released? How did they survive the transition from metal to film to digital? Did they survive at all? Which typefaces followed in their shadow?

In this book, Tony Seddon makes a daring and worthwhile attempt to answer these questions. The Evolution of Type is a biography of these living things we call typefaces. It tells their individual stories, and while at it, tells the story of typography as a whole.

Stephen Coles

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Free Ebook Revelation of the Magi: The Lost Tale of the Wise Men’s Journey to BethlehemBy Brent Landau

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“Astonishing, delightful, and theologically sophisticated.” —Marvin Meyer, Griset Professor of Religious Studies, Chapman University

Theologian Brent Landau presents the ancient account of Melchior, Caspar, and Balthazar, the three “wise men” who journeyed to Bethlehem to greet the birth of Jesus. The Revelation of the Magi offers the first-ever English translation of an ancient Syriac manuscript written in the second to third century after the birth of Christ and safeguarded for generations in the Vatican Library. Following in the footsteps of Elaine Pagels and her exploration of the Gnostic Gospels, including the controversial Gospel of Judas, Landau delivers an invaluable source of information to a world interested in learning more about the Nativity and the life of Jesus of Nazareth.

• Sales Rank: #586913 in Books
• Published on: 2010-11-02
• Released on: 2010-11-02
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .69" w x 5.50" l, .70 pounds
• Binding: Hardcover
• 176 pages

From Booklist
The tale of the Magi, or the Three Wise Men, is one of the most famous stories associated with the birth of Jesus. But as Landau points out, only one brief passage in the New Testament’s Gospel of Matthew is actually about the Magi. Even there the details are frustratingly vague: the wise men have no names, nor are their countries of origin indicated. But one source does exist, a lengthy narrative called Revelation of the Magi, which tells the story from the perspective of the wise men themselves. This slim volume is purported to be the first-ever English translation of the elusive tale. Landau, a scholar of ancient biblical languages, discovered the document while doing research at the Vatican Library. Ignored or neglected by contemporary scholars and written in Syriac, a language spoken by ancient Christians in the Middle East and Asia, Revelation of the Magi should be of interest to not only biblical scholars but also students of the Christian story who want to know more about these elusive fellows. --June Sawyers

Review
“Of the many recently discovered earliest Christian documents, Revelation of the Magi is by far the most fascinating. Landau’s presentation—bright and sharp as a gemstone—emphasizes the unique challenge and radical depth of this ancient text’s theology.” (John Dominic Crossan, author of Jesus: A Revolutionary Biography and The Greatest Prayer)

“The fascinating story of the Wise Men from the East who came to see baby Jesus is presented, for the first time in English, in a remarkable new version based on an ancient Syriac text, and the result is a tale that is astonishing, delightful, and theologically sophisticated.” (Marvin Meyer, author of Gospels of Mary)

“Unread for centuries, the Revelation of the Magi retells the Biblical story of three wise men who visited Jesus at his birth, expanding their minor role into an epic tale. In a new, lucid translation, Landau offers English readers a chance to hear this remarkable story for the first time.” (Karen L. King, author of the Secret Revelation of John)

“This lovely text, skillfully translated and accompanied by expert commentary shows that early Christians approached the Christmas story with refreshing creativity. Landau is to be congratulated for bringing this important and unexpectedly influential work to light.” (Jennifer Knust, author of Unprotected Texts)

“Revelation of the Magi should be of interest to not only biblical scholars but also students of the Christian story who want to know more about these elusive fellows.” (Booklist)

“For all of [The Wise Men’s] popularity, the mysterious travelers from the East ... appear in only one short passage in the New Testament. Now, a first-ever English translation and detailed analysis of a little-known eighth-century text uncovers a far more substantial version of the wise men story.” (USA Today)

“This year a number of Christmas stockings will no doubt be stuffed with a copy of a beautiful little book, Revelation of the Magi. ...Quite luminous and wonderful... Like incense, the pages radiate divine grace, mercy, and love. They seem infused with light, glory, majesty, epiphany, and joy.” (Day 1.org)

“Landau shows, with skill and authority, how the “Revelation” contains a valuable message of tolerance that is needed as much today as in the years of its composition.” (Los Angeles Times (online))

From the Back Cover

Each Christmas, adults and children alike delight at the story of the kings from the East who followed the star to Bethlehem to offer gifts to the newborn Christ. While this familiar tale is recorded in the Gospel of Matthew, another little-known version later emerged that claimed to be the eyewitness account of the wise men. This ancient manuscript has lain hidden for centuries in the vaults of the Vatican Library, but through the determined persistence of a young scholar, Brent Landau, this astonishing discovery has been translated into English for the very first time as the Revelation of the Magi.

Everything we know about the wise men is based on only a few verses from the Bible. With the Revelation of the Magi, we can now read the story from the Magi's perspective. Readers will learn of the Magi's prophecies of God's incarnation from the beginning of time, their startling visitation in the form of a star, the teachings they receive from the baby Jesus, and the wise men's joyous return to their homeland to spread the good news.

This ancient version of the Christmas story is guaranteed to astonish and delight. It will also raise larger questions of the significance and meaning of Christ's birth, and the mission to spread the good news to every corner of the globe. All the drama and intrigue of the brief description of Jesus's birth in the Bible is filled out in greater, more colorful detail, offering for the first time the complete story of these beloved characters.

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• Amazon Sales Rank: #992410 in eBooks
• Published on: 2016-02-10
• Released on: 2016-02-10
• Format: Kindle eBook

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• Sales Rank: #1560367 in eBooks
• Published on: 2015-06-28
• Released on: 2015-06-28
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• Sales Rank: #1068814 in Books
• Published on: 2015-11-12
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .79" w x 6.00" l, 1.01 pounds
• Binding: Paperback
• 314 pages

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• Sales Rank: #2970747 in Books
• Published on: 1975-04
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 160 pages

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• Sales Rank: #6492437 in Books
• Published on: 1997-08-18
• Original language: English
• Number of items: 1
• Dimensions: 10.50" h x 8.25" w x 1.75" l,
• Binding: Hardcover
• 1152 pages

About the Author
David W. Oxtoby became the ninth president of Pomona College on July 1, 2003. An internationally noted chemist, he previously served as dean of physical sciences at the University of Chicago. At Pomona, he holds a coterminous appointment as president and professor of chemistry. Before coming to Pomona, he was associated with the University of Chicago for nearly three decades, with brief interludes to serve as a visiting professor at such places as the University of Paris; the University of Bristol in Great Britain; and the University of Sydney in Australia. Oxtoby is a fellow of the American Physical Society and a member of the American Chemical Society and the American Association for the Advancement of Science. After earning his bachelor's degree, summa cum laude, from Harvard University, he went on to earn his Ph.D. at the University of California, Berkeley. As a research chemist, he is author or co-author of more than 165 scientific articles on such subjects as light scattering, chemical reaction dynamics and phase transitions. In addition to co-authoring Principles of Modern Chemistry and Chemistry: Science of Change, he has received fellowships from the Guggenheim, von Humboldt, Dreyfus, Sloan, Danforth and National Science foundations.

Wade A. Freeman completed a B.S. degree in Chemistry with distinction at the University of Illinois at Urbana-Champaign and earned his Ph.D. in inorganic chemistry at the University of Michigan. At the University of Illinois, Chicago he has been an assistant dean of the College of Liberal Arts and Sciences, worked as an academic adviser for undergraduates, and directed the general chemistry program. His work in chemical education includes running the "Gifted Summer Institutes in Chemistry" for high-achieving high school students and annually administering and teaching a series of Summer Institutes for high school teachers. He was a co-founder in 1994 of the Chicago Chemistry Van Project, which delivers specialized equipment and other support to Chicago high school chemistry laboratories.In 1986 he collaborated with David Oxtoby and Norman Nachtrieb to write Chemistry: Science of Change. Freeman is a member of the Board of Directors of the UIC Institute for Mathematics and Science Education, and a member of the University Affiliate Advisory Panel of the Illinois Mathematics and Science Academy. He has also served on multiple external evaluation panels for high school and university programs.

Toby Block was born and raised in Brooklyn, New York and received her BS in chemistry (cum laude) from Brooklyn College of the City University of New York. She earned a Ph.D. in physical chemistry (with an inorganic minor) from the University of Wisconsin-Madison. She was an assistant professor at the University of Wisconsin-Stevens Point teaching introductory chemistry, physical chemistry, and inorganic chemistry before joining the staff of the Georgia Institute of Technology as a laboratory coordinator in 1980. At Georgia Tech, Block supervises the work of teaching assistants in the introductory chemistry laboratories and lectures to introductory chemistry classes. She chaired the 1990 Biennial Conference on Chemical Education at Georgia Tech campus. Toby Block is also an author of LABORATORY EXPERIMENTS IN GENERAL CHEMISTRY, Fourth Edition.

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• Sales Rank: #32258 in Audible
• Published on: 2015-11-25
• Format: Unabridged
• Original language: English
• Running time: 38 minutes

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The religious imagination of the Greeks, Robert Garland observes, was populated by divine beings whose goodwill could not be counted upon, and worshipers faced a heavy burden of choice among innumerable deities to whom they might offer their devotion. These deities―and Athenian polytheism itself―remained in constant flux as cults successively came into favor and waned. Examining the means through which the Athenians established and marketed cults, this handsomely illustrated book is the first to illuminate the full range of motives―political and economic, as well as spiritual―that prompted them to introduce new gods.

• Sales Rank: #3036765 in Books
• Brand: Brand: Cornell University Press
• Published on: 1992-01-16
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .63" w x 6.14" l, .0 pounds
• Binding: Hardcover
• 256 pages

Features

• Used Book in Good Condition

Review

"In this book Robert Garland gives us a set of well-researched studies on a subject of importance for ancient Greece and Western civilization. Classical Greece presents a multitude of modestly scaled, sovereign communities, connected by common culture and with religion a salient feature. Each polis possessed cults of pan-Hellenic, Olympian divinities and cults of heroes. The pattern of cults in a given polis was the result of that city's individual history, with all the variety and quirkiness characteristic of historical evolution. Garland describes how one polis, Athens, acquired its constellation of cults."―American Historical Review

"Religious innovation is a special problem for polytheists. Worshipers face a heavy burden of choice among countless competitive deities. Religion and politics, nowhere easy to separate, are here inseparable. Every attempt to introduce a new god creates a political and social crisis. New cults seem an obvious key to cultural change in Ancient Greece, but the subject has been relatively neglected. In this nicely written and illustrated book, Robert Garland does much to fill the gap."―Journal of the American Academy of Religion

"Introducing New Gods proposes new and provocative ways to view the religious history of ancient Athens. By contextualizing the topic, Robert Garland demonstrates that the relationship between the community and its cults was a dynamic one. He not only avoids skepticism concerning the spiritual content of ancient Greek religion, but forces us to confront modern prejudices."―Paula Perlman, University of Texas

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Cultural Anthropology: The Human ChallengeBy William A. Haviland, Harald E. L. Prins, Dana Walrath, Bunny McBride

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Explore the most fascinating, creative, dangerous, and complex species alive today: you and your neighbors in the global village. With compelling photos, engaging examples, and select studies by anthropologists in far-flung places, the authors of CULTURAL ANTHROPOLOGY: The Human Challenge provide a holistic view of anthropology to help you make sense of today's world. With this text you will discover the different ways humans face the challenge of existence, the connection between biology and culture in the shaping of human beliefs and behavior, and the impact of globalization on peoples and cultures around the world.

• Sales Rank: #595312 in Books
• Published on: 2007-04-09
• Original language: English
• Number of items: 1
• Dimensions: .59" h x 8.44" w x 10.81" l, 2.05 pounds
• Binding: Paperback
• 456 pages

Review
"The writing style…is extremely student friendly and accessible. It is actually enjoyable to read, which is rather rare for textbooks. It is completely attuned to the needs of an undergraduate student population."

"The greatest strength of CULTURAL ANTHROPOLOGY: THE HUMAN CHALLENGE is its success in addressing complex concepts in a manner that is memorable and easy to comprehend. Another strength is in the choice of examples; most all of them engage the reader and elicit furthering investigation. Finally, the book's photographs and other images provide a visual element that reinforces significant issues in anthropology."

The authors do a good job of providing "interesting specific examples and ethnographic accounts to give the chapter context and help illustrate sometimes abstract information…"

About the Author
William A. Haviland is professor emeritus at the University of Vermont, where he founded the Department of Anthropology and taught for 32 years. He holds a PhD in anthropology from the University of Pennsylvania. He has carried out original research in archaeology in Guatemala and Vermont; ethnography in Maine and Vermont; and physical anthropology in Guatemala. This work has been the basis of numerous publications in national and international books and journals, as well as in media intended for the general public. His books include The Original Vermonters, coauthored with Marjorie Power, and a technical monograph on ancient Maya settlement. He also served as consultant for the award-winning telecourse Faces of Culture, and he is co-editor of the series Tikal Reports, published by the University of Pennsylvania Museum of Archaeology and Anthropology. Besides teaching and writing, Dr. Haviland has lectured to many professional and nonprofessional audiences in Canada, Mexico, Lesotho, South Africa, and Spain, as well as in the United States. He served as expert witness for the Missisquoi Abenaki of Vermont in an important court case over aboriginal fishing rights. Dr. Haviland was named University Scholar by the Graduate School of the University of Vermont in 1990; received a Certificate of Appreciation from the Sovereign Republic of the Abenaki Nation of Missisquoi, St. Francis/Sokoki Band in 1996; and was given a Lifetime Achievement Award from the Center for Research on Vermont in 2006. Now retired from teaching, he continues his research, writing, and lecturing from the coast of Maine. He serves as a trustee for the Abbe Museum in Bar Harbor, focused on Maine's Native American history, culture, art, and archaeology. His most recent books are At the Place of the Lobsters and Crabs (2009) and Canoe Indians of Down East Maine (2012).

Harald E.L. Prins is a University Distinguished Professor of cultural anthropology at Kansas State University. Academically trained at half a dozen Dutch and U.S. universities, he previously taught at Radboud University (Netherlands), as well as Bowdoin College and Colby College in Maine, and was a visiting professor at the University of Lund, Sweden. Named a Distinguished University Teaching Scholar, he received numerous honors for his outstanding academic teaching, including the Presidential Award in 1999, Carnegie Professor of the Year for Kansas in 2006, and the AAA/Oxford University Press Award for Excellence in Undergraduate Teaching of Anthropology in 2010. His fieldwork focuses on indigenous peoples in the Western Hemisphere, and he has long served as an advocacy anthropologist on land claims and other native rights. In that capacity, Dr. Prins has been a key expert witness in both the U.S. Senate and Canadian courts. His numerous academic publications appear in seven languages, and his books include The Mi'kmaq: Resistance, Accommodation, and Cultural Survival. Also trained in filmmaking, he was president of the Society for Visual Anthropology, and coproduced award-winning documentaries. He has been the visual anthropology editor of American Anthropologist, co-principal investigator for the U.S. National Park Service, international observer in Paraguay's presidential elections, and a research associate at the National Museum of Natural History, Smithsonian Institution.

Dana Walrath, an award-winning writer, artist and anthropologist, is a faculty member of University of Vermont's College of Medicine. After earning her PhD in medical and biological anthropology from the University of Pennsylvania, she taught there and at Temple University. Dr. Walrath broke new ground in paleoanthropology through her work on the evolution of human childbirth. She has also written on a wide range of topics related to gender in paleoanthropology, the social production of sickness and health, sex differences, genetics, and evolutionary medicine. Her work has appeared in edited volumes and in journals such as Current Anthropology, American Anthropologist, American Journal of Physical Anthropology, and Anthropology Now. Her books include Aliceheimer's, a graphic memoir, and Like Water on Stone, a verse novel. She developed a novel curriculum in medical education at the University of Vermont's College of Medicine that brings humanism, anthropological theory and practice, narrative medicine, and professionalism skills to first-year medical students. Dr. Walrath also has an MFA in creative writing from Vermont College of Fine Arts and has exhibited her artwork in North America and Europe. Her recent work in the field of graphic medicine combines anthropology with memoir and visual art. Spanning a variety of disciplines, her work has been supported by diverse sources such as the National Science Foundation, the Templeton Foundation, the Centers for Disease Control, the Health Resources and Services Administration, the Vermont Studio Center, the Vermont Arts Council, and the National Endowment for the Arts. She spent 2012-2013 as a Fulbright Scholar at the American University of Armenia and the Institute of Ethnography and Archaeology of the National Academy of Sciences of Armenia. She is working on a second graphic memoir that combines her Aliceheimer's work with her fieldwork on aging and memory in Armenia.

Bunny McBride is an award-winning author specializing in cultural anthropology, indigenous peoples, international tourism, and nature conservation issues. Published in dozens of national and international print media, she has reported from Africa, Europe, China, and the Indian Ocean. Holding an MA from Columbia University, she is highly rated as a teacher, and she has served as visiting anthropology faculty at Principia College and the Salt Institute for Documentary Field Studies. Since 1996, she has been an adjunct lecturer of anthropology at Kansas State University. Among her many publications are books such as Women of the Dawn; Molly Spotted Elk: A Penobscot in Paris; Indians in Eden (with Harald Prins); and The Audubon Field Guide to African Wildlife, which she coauthored. McBride also has authored numerous book chapters. Honors include a special commendation from the state legislature of Maine for significant contributions to Native women's history. As an activist and researcher for the Aroostook Band of Micmacs (1981-1991), she assisted this Maine Indian community in its successful efforts to reclaim lands, gain tribal status, and revitalize cultural traditions. In recent years, she has served as co-principal investigator for a National Park Service ethnography project and curated several museum exhibits, including "Journeys West: The David & Peggy Rockefeller American Indian Art Collection" for the Abbe Museum in Bar Harbor, Maine. Her latest exhibit, "Indians & Rusticators," received a 2012 Leadership in History Award from the American Association for State and Local History. Currently, she serves as president of the Women's World Summit Foundation based in Geneva, Switzerland, and is completing a collection of essays.

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